#learning technical analysis

[knowstockinsights]

Stock market technical analysis is a method used to evaluate and predict the future price movements of securities by analyzing historical market data, primarily price and volume. It involves the use of various tools such as charts, trend lines, and technical indicators (like Moving Averages, RSI, MACD, etc.) to identify patterns and trends in stock prices.

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[caligvlasaqvarivm]

wanna ask how you feel about the eridan bpd headcanon/theory(?? not sure what to call it!) you're so good at your character analysis and i'd love to see your outlook on it

Since I don't have a degree or any formal training in psychology, I feel deeply uncomfortable diagnosing characters. I've made an autism joke before but only because I'm on the spectrum. He's definitely traumatized and anxious, but I mean those as descriptors of his behavior rather than capital-D Diagnoses. I try to focus on those when I can - the cause and effect of cognition, self-image, and behavior - and those factors may very well match up with DSM criteria, but I try not to touch an actual diagnosis with a ten foot pole unless the author has explicitly stated that X character has Y condition.

[rigelmejo]

So anyone following me for an example (lol i appreciate you if this is u) just keep in mind that: my primary goal for any language I studied was to READ. I think I'm fairly good at reaching that goal. A lot of what I did, personally, as a beginner, was tailored to learning to read. (Read a grammar summary, study word translations for 1000-3000 words, start reading graded readers, work up to intensively reading materials - so looking up key words for the main idea, then extensively reading materials I understood the main ideas of).

For the other skills:

Listening - I am working on it now as it's a weak spot I would like to be better at. I think my study plan has been working well. Which amounts to intensive listening (looking key words up for understanding the main ideas), and a lot of extensive listening. The same strategy I had for reading, which worked well for reading. Start with materials for learners, which for listening is CI Lessons and Learner Podcasts. Then ramp up the difficulty, and do intensive and extensive listening. Mostly extensive listening, since I already know many words from reading.

Speaking and writing - I am NOT a good example of success lmao. I am a 3-5 year old level at best when it comes to writing or speaking. The best thing I studied was "300 words in a language to say anything" post on tumblr, reblogged with various translations for languages, because you can indeed say a LOT of stuff on a very general level with that word list. That's about as good as my speaking/writing ever got, in terms of active study. After that, everything I've studied was in the service of learning to read or listen, and you don't need Active Production skills to read or listen. You don't need perfect pronunciation or grammar to read, you just need to recognize the general idea. If I'm being really fucking generous with myself, I am perhaps A2 at speaking and writing in French, HSK 3-4 in Chinese, if I have recently read/listened to those languages for a few weeks beforehand so I can actively recall more words. Could I get by if traveling? Sure. Could I ask my way around topics to ask how to say X? Yeah, that 300 words list was fucking awesome for a general preparation to talk around topics/ask about words. Is it good enough to do anything detailed like write an email or a journal entry, absolutely fucking not. I still have a LOT to work to do on my production skills. I'm honestly hoping the listening skills transfer to active skills a bit...

[fxgyaan]

Consistency in your trading 👉🏻

For more join us :-

[education43]

What Are the Qualifications for a Data Scientist?

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[cannibalismyuri]

hey sara when you read rwrb did you also assume alex knew he was bi up until his sexuality crisis revealed the truth to you or was it just me who labored under delusions for the first 25 percent of the book, a whole quarter of the way through, before getting the shocking surprise that alex claremont-diaz, main character of nyt bestselling debut novel red white and royal blue, by author casey mcquiston, was NOT an out and proud bisexual man?

no actually, because im not delulu like u are . anyway .

[sharemarket11]

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[chartmonks]

Stop Following Signals – Rethink Your Stock Market Learning Course

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[chukwunicholas]

The Hard Reset: My Trading Demo Account Vanished & Why I'm Starting Over!

Hey everyone, It’s been 175 days since I kicked off this trading vlog journey, full of ambition and big plans. But if you watched my latest video, you’ll know what happened: I opened my broker account only to discover my demo account was gone! Vanished. Finito. Disappeared. And honestly, that shock made me stop and ask myself: why did I even open one in the first place? The Brutal Truth: How My…

[ahmedabadstockmarket]

How to Choose a Stock for Investment

Learn trading with Volchart Stock Market Institute, the best stock market institute, offering expert stock market classes and coaching. Investing in the stock market can be a wonderful means to increase your wealth, but the first thing that strikes everyone’s mind is – how do I select the correct stock? There are thousands of companies listed, and it can seem daunting. But don’t worry – in this…

[fxgyaan]

Trading is about timing. If you don’t understand what cycle the market is in, when to identify manipulation and when to target that manipulation - you’re never going to see this setup.

Each previous market session gives us vital clues on what we’re looking for and when to look for it.

For more join us .

[finowings2]

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[strategyapex]

Advanced Applications of Williams Moving Average in Modern Futures Trading

The Williams Moving Average has evolved into a sophisticated tool used by professional futures traders, algorithmic trading systems, and institutional investors. Its advanced capabilities in trend detection and market timing make it particularly valuable in modern trading environments.

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[techhills]

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• A Profile Page To Make It Easier To Track Your Progress

• Quizzes & Tests To Help You Test Your Knowledge

• A Settings Page To Help You Customize Your Full App Experience

With these 5 POWERFUL features you could quickly and easily become a stock market expert and start making money on the stock market.

Candlestick patterns are used by professionals all the time to help them predict the markets and help them make money, So why shouldn't you use those tools as well?

Just a friendly heads-up: Trading can be a rollercoaster ride, with its ups and downs, and there's a chance you could lose some, or even all, of your capital invested. Everything you learn in the candlestick patterns app is here to enlighten and educate, not to serve as financial advice or an investment recommendation. So, enjoy the journey, but remember to buckle up!

Download ‘Learn Candlestick Patterns’ To Start Learning Now!

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Technical Analysis & Trend Patterns: Learn Share Market Trading the Right Way

At Chart Monks, we believe that trading is a skill — not a gamble. If you’re tired of confusion, indicator overload, or following calls blindly, it’s time to change the way you trade. With our practical approach to technical analysis and real-time understanding of trend continuation patterns, we help you learn online trading the right way — with clarity, confidence, and control.

Whether you're a complete beginner or someone looking to refine your strategies, we offer some of the best trading courses in India tailored to every stage of your journey.

Why Choose Chart Monks to Learn Online Trading?

Unlike traditional platforms that focus heavily on theory or flashy strategies, we simplify the process. At Chart Monks, we teach you to read the price action, understand market psychology, and make independent decisions based on structure and logic — not noise.

Our mission is to provide online trading courses for beginners and intermediate traders that are grounded, actionable, and free from unnecessary complexity.

Trading Classes for Beginners – Build a Strong Foundation

If you're just getting started, you don’t need complicated strategies. You need a strong foundation. That’s why our trading classes for beginners focus on what truly matters:

Understanding how price moves

Identifying market phases

Recognizing demand and supply zones

Reading structure and trend continuation patterns

Managing risk and maintaining discipline

We break down each concept in a simple, visual way that anyone can understand — no financial background needed. You’ll gain the skills to trade independently, without relying on tips or signals.

Share Market Technical Analysis Course – Learn What Really Moves the Market

Our share market technical analysis course is one of the most practical and insightful programs available online in India. We go beyond just candlesticks and indicators. We train you to see the bigger picture — how institutions move the market, how retail traders react, and how you can stay ahead by reading pure price action.

Inside this course, you’ll learn:

How to recognize and trade trend continuation patterns with confidence

How to build high-probability setups using price structure

The psychology behind big moves

How to avoid common traps and false breakouts

Real chart examples from the Indian stock market

This isn’t about memorizing patterns — it’s about understanding why the market moves and where it’s likely to go next.

Avoid Trading Burnout – Train with Clarity and Focus

Many traders face trading burnout not because they lack motivation, but because they’re overwhelmed with too much conflicting information. At Chart Monks, we remove that stress by offering a structured, step-by-step learning journey.

Our approach helps you:

Focus on one system and master it

Avoid information overload from too many sources

Gain mental clarity with simple, repeatable strategies

Build the right mindset to handle wins and losses calmly

At Chart Monks, we believe trading success is 20% strategy and 80% psychology. That’s why we also help you develop the mental discipline to stay consistent.

Online Trading Courses in India – Learn Anytime, Anywhere

We understand that flexibility is important. That’s why we offer all our online courses —so you can learn whenever and wherever it suits you. Whether you're working full-time, in college, or trading part-time, our online trading courses for beginners are designed to fit your schedule.

With our platform, you get:

Lifetime access to course material

Mobile and desktop-friendly video content

Downloadable resources and charts

Live sessions and mentor support

Community access for feedback and progress tracking

No need to travel or attend costly seminars — with Chart Monks, everything is available from the comfort of your home.

What Makes Our Trading Courses Online the Best?

There are many platforms offering trading courses online, but few truly focus on what matters. We stand out by:

Teaching real price action, not just theory

Breaking down live chart examples from the Indian stock market

Focusing on trend continuation patterns and practical setups

Helping you develop a consistent mindset

Offering support through mentorship, not just videos

Keeping things affordable and transparent

We don’t promise overnight success. We promise real skills and lifelong learning.

Free Online Courses for Trading – Start With Zero Risk

Still unsure if our courses are the right fit? Try our free online courses for trading. These mini-courses give you an introduction to how we teach and what we cover. You’ll learn key trading concepts, market structures, and entry-level technical analysis — all at zero cost.

They’re a great way to test the waters and see if our approach aligns with your goals.

Prepared to Begin Your Trading Journey with the Right Approach?

If you’re serious about trading and want to learn in a clear, practical, and mentally sustainable way, Chart Monks is here to guide you. Whether you're looking for trading classes for beginners, a share market technical analysis course, or a full online trading course in India, we’ve got the roadmap you need.Start with our free courses, or dive into our full programs to transform your approach to the market. Call us now at +91-9220943789, Visit: www.chartmonks.com.